![]() She has performed in Canada, the USA, Ireland, and England.Ĭurrently she works as a publicist for Pacific Music Marketing. Released Whirlpools in 1998, her first full-length solo CD of original Voice has been described as powerful, sweet, and unapologetic. She has become a skilled guitarist and also studied piano to accompanyĮighteen years of vocal training, which include jazz and opera. The Rotary Music Festival's Best Alberta Vocalist at the age of nine. Katrina Kadoski is originally from Fort McMurray Alberta, where she won Len Hill - lead & rhythm guitar Maynard Smylie - bass Jerome Jarvis - drums Ken Dalgleish - keyboard Caridwen Irvine - violin & back-up vocals on 'Ricki, Genuine Appreciation & Somethin always seems to come between us' Ken Gustafson - peddle steel on 'Genuine Appreciation & Ricki' Melanie Berg - back-up vocal on 'Each cancer cell & Genuine Appreciation' Merv Charboneau - bass on 'Hang on Folks' John Marian - words, music, rhythm guitar, vocals, guitar Which is not to agree that I, or men in general, are all inclined towards rape. ~ And I’m acknowledging that yes the anger this man occasionally feels towards a woman can indeed have a sexual edge to it in ‘Somethin Always Seems to Come Between Us’. ‘Each Cancer Cell’ is cold, sardonic rage at the elements we accommodate that have all the characteristics of that disease and which it may be a reflection of. ~ ‘Ricki and I’ came to me at the very time when my heart was breaking with the news that a dear friend had contracted cancer at a too-young age. It sure pisses some of them off, so I’ve been told. It was targeted to make certain elements of the Forest Industry sweat. ~ ‘Want to See Me Splice Rope’ is about the political and economic dynamics of that occupation, infused with the manly, outlaw energy of working alone in storms and calms. She was a beauty, as you can probably tell from the picture. The photo is of my last glory days, when I was fitter, healthier, better looking and still working my independent way along the shores of Georgia Strait, pulling the good drift logs off the beach with my beachcomb boat. PULLING FOR THE WOODS has been out for some years now. All Songs are SOCAN except Cold Cold Ground is ASCAP. Cold Cold Ground is published by Jalma Music (admin. Songs 4, 6, 7, & 10 published by Boulder Creek Publishing. Songs 1, 2, 3, 5, 8, & 11 are published by Boulder Creek Publishing and Shaunsongs. The album was mastered by Craig Waddell at Gotham City Studios, Vancouver. David and Wayne recorded it and David mixed it. The recording was done at David's studio (The Glass Elevator) in Vancouver. John & David Kershaw produced these sessions. Additional recording took place later with Luke Doucet (electric guitar),Tommy Gogo (vocals, Mellotron), Camille Henderson (vocals) and Daniel Lapp (trumpet). These 5 musicians were joined for the two weeks by Wayne Lorenz. The majority of the album was recorded October 16-29 1995 with Sean Ashby (electric guitar, lap steel guitar, mandolin), Paul Brennan (drums, percussion), John Gogo (vocals, acoustic guitar, electric 12 string guitar), David Kershaw (B3 organ, Wurlitzer piano, accordion, percussion) and Brian Minato (bass guitar, string bass, Wurlitzer piano). Released August 1997, this album was produced by Wayne Loronz (Daniel Lanois, Emmylou Harris, Slingblade soundtrack), David Kershaw (Sarah Mclachlan, Wild Strawberries) and John Gogo.
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